Despite the fact that I was pretty much working flat out during the festival, I did manage to catch some of the movies, either by sneaking in the back of the auditorium during the screenings, or before the festival itself on screeners or private screenings. Here's a run-down on the flicks I caught that I hadn't already seen in Toronto or Adelaide:
Looking for EricA failed postman and avid Manchester United fan starts being 'visited' by Eric Cantona, who gives him philosophical assistance and helps him get his life back on track. This funny Ken Loach film (yes, really!) opened the festival, and I loved its touching humour. It went to a dark place and I was worried for a bit that it wouldn't come back, but the climactic scene of a group of Cantona-mask-wearing football fans trashing a house was hilarious, and it left you with a spring in your step at the end.
****
500 Days of SummerAKA 500 Days of Boredom and Cliche. Awful film featuring simperingly cute Zooey Deschanel and irritating buffoon Joseph Gordon-Levitt in an 'offbeat romantic comedy', complete with cute karaoke scene, kookie semi-animated scenes and yawnsome soundtrack. 'Oh I love The Smiths'... etc. Couldn't wait for it to end. Bah.
*
Black DynamiteHilarious spoof of 70s Blaxploitation flicks, complete with fake continuity errors such as boom mics in shot and hastily-swapped actors mid fight. Our hero Black Dynamite fights crack in the orphanages, combats illegally-produced malt liquor and seeks vengeance for his brother's death. All while looking totally hot and fighting terrific kung-fu. Loved it.
****
The September IssueA documentary on how the famous September issue of Vogue magazine is put together, in particular focusing on the relationship between legendary Vogue editor-in-chief Anna Wintour and her creative director Grace Coddington, who have worked together for twenty years. I had great hopes for this doco, which has been touted as a 'real life Devil Wears Prada' but unfortunately it fell short for me. The filmmakers didn't get deep enough within the central relationship, and Wintour clearly held back from revealing herself beyond the surface. Disappointing, but the queues of twenty-something women at the festival's sell-out screening didn't seem to think so!
***
ContactIn 1964 as part of the space race, rocket tests were carried out in the Australian outback, and when government officials were sent to the area to check that it was uninhabited, they encountered a group of Aboriginal women and children who had never seen white people before, and who were living off the land in a completely traditional way. The group were rounded up and taken to a settlement, and in this incredibly moving documentary, they are shown video footage of the first contact in the 60s, and as older women are taken back to their original home, to retell the story of this contact. I felt angry, enlightened and hugely moved by this doco, which is actually really funny at times, and the original photos and video footage are amazing.
*****
Liza with a ZI love Liza! This incredible film is a live performance shot by the genius Bob Fosse in 1972 -- an on-stage performance filmed with multiple cameras and choreographed by Fosse with the intention to release it as a film. Liza runs through some great numbers, some original and many from their film of the same year, Cabaret. She has some awesome costume changes, and looks hot. Crikey, she was 26 when it was made. I want that red dress!
****
DisgraceI read Booker Prize-winning book Disgrace about 10 years ago when it first came out, and intensely disliked it, in particular the central character, played by John Malkovich in this film adapation. He is a college professor dismissed in disgrace after having an affair with a student, and he goes to stay with his daughter on her South African farm, uncovering some of the uncomfortable truths of Apartheid in the process. My reaction to the film was pretty much a mirror of my reaction to the book, but I still found it thought-provoking and debate-inspiring, which I suppose gives it some merit.
**
Wake in FrightThis Australian outback tale was made in 1971, and we saw a brand new print with a packed-out house at the State Theatre (2000-seater art deco picture palace in the heart of Sydney). What an incredible film! It really showed the bawdy grittiness of male outback life, in particular the drink and the gambling, and it tells it with a sharp wit and a keen eye for detail. There's a particularly gory and terrifying kangaroo hunting scene, which was quite shocking, but I urge you to see this if it ever gets a UK release. I'm now reading the book that it was based on, which is really well written. Great stuff.
*****
CoralineThis stop-motion 3D animation is everything a children's movie should be -- dark and creepy, not too saccharine-sweet. The 3D wasn't too 'pointy-pointy' either -- it was immersive and at times wonderful. Coraline is a small child whose parents don't pay her much attention, so when she finds a door in the wall that takes her to another world with alternative parents, the appeal is immediate, until she discovers all is not quite what it seems... Yes, nothing hugely innovative, but it's good fun. The humour of the aging aunt-type neighbours played by French and Saunders isn't as biting as it could be, but it's worth a look.
***

Beautiful KateThis Australian film tells the story of a family with dark secrets from the past, and features just about every Aussie actor around, including many who I've only come to recognise since moving here. It's beautifully shot, with some interestingly realised flashback sequences, and some stunning views of the landscape. I really admired the way the subject matter (I won't give too much away here) is handled, without sensationalism or cliche, and I really hope this film finds an audience. The poster design that has been released for the film's forthcoming release does not do the film justice, and it will be interesting to see how it fares.
****
And these are the ones I missed that I'm desperate to catch:
Bronson
Every Little Step
An Education
Dead Snow
Wanda
Big River Man
Art & Copy
Last Ride
Valentino: The Last Emperor
We Live In Public
Will let you know what I think if I manage to catch a screener post-fest.
cx